I wrote a passage about Morton Heilig's Sensorama in my master thesis (hovedoppgave) back in 1994. It was intriguing back then, and it still is. I am coming back to this writing a paper about Auditor and Sonic Augmented Reality.
There are a lot of ideas worth noticing to in this short documentation and interview, done by Itsuo Sakane, about 30 years after Heilig's invention (in 1962).
And do not miss the later patent papers for Heilig's Experience Theatre:
There are a lot of ideas worth noticing to in this short documentation and interview, done by Itsuo Sakane, about 30 years after Heilig's invention (in 1962).
And do not miss the later patent papers for Heilig's Experience Theatre:
Innlegg
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